Verbatim: From the bawdy to the sublime, the best writing on language for word lovers, grammar mavens, and armchair linguists

Verbatim: From the bawdy to the sublime, the best writing on language for word lovers, grammar mavens, and armchair linguists
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ISBN:
015601209X , 9780156012096
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Date:
2001-10-17
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$14.00
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Product Description:
From the bawdy to the sublime, the best writing on language for word lovers, grammar mavens, and armchair linguists. A brilliant, witty, and engaging compendium on the uses and abuses of the English language.

With bestselling narratives such as The Professor and the Madman to edicts by popular grammar mavens including Pat O'Conner and Barbara Wallraff,
it is clear readers outside of academia are becoming more and more intrigued with language. Founded by legendary lexicographer Lawrence Urdang, for thirty years Verbatim has published amusing and intriguing articles on the English language and the idea of language in general. Here, for the first time, is a collection of Verbatim's greatest hits and wondrous discoveries on concept, usage, jargon, wordplay, linguistics, blunders, malapropisms, and more.

With contributors such as Richard Lederer, Jesse Sheidlower, and Joe Queenan, lexicography heavyweights like Frederick Cassidy and William Kunstler, Verbatim is a smart and sassy collection for anyone seeking the highly scholarly or the completely frivolous. From the uses of language in the Bible to the components of a British soccer chant, this astounding collection is sure to offer something for every language enthusiast and word lover to enjoy.

Amazon.com Review:
Verbatim, says the language quarterly's editor, Erin McKean, is "a magazine about all of the fun parts of English and linguistics, written for people who don't necessarily have a Ph.D." This collection of pieces culled from the quarterly is like a candy shop for word lovers. John Tittensor writes about unfortunate last names, Philip Michael Cohen discloses the secret lingo of tiddlywinks players, Pete May explores British football chants, and Jesse Sheidlower reports on the revising of his book The F-Word. Steve Bonner considers "the language as it will never be used," dreaming up evocative word combinations so unlikely that they'd never be uttered: "rotating strawberry madonna," "angry tuba gravy." McKean claims to like "that 'bad English' exists." She also maintains that one should resist correcting the grammar of others. "The easiest way to put your own utterances under intense scrutiny," she warns, "is to toss off a thoughtless public correction of someone else's." --Jane Steinberg
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