The Etched City

Gwynn and Raule are rebels on the run, with little in common except being on the losing side of a hard-fought war. Gwynn is a gunslinger from the north, a loner, a survivor . . . a killer. Raule is a wandering surgeon, a healer who still believes in just--and lost--causes. Bound by a desire to escape the ghosts of the past, together they flee to the teeming city of Ashamoil, where Raule plies her trade among the desperate and destitute, and Gwynn becomes bodyguard and assassin for the household of a corrupt magnate. There, in the saving and taking of lives, they find themselves immersed in a world where art infects life, dream and waking fuse, and splendid and frightening miracles begin to bloom . . .

Australian author K.J. Bishop's impressive first novel, The Etched City, draws deep from the well of dark fantasy to create a bruised and battered realm which invites comparison with Stephen King's Dark Tower series and China Mieville's twisted imaginings.

Set first in the dustbowl wasteland of the Copper Country, Bishop introduces the battlefield sawbones Raule and her gunslinging companion Gwynn. The duo's relationship of necessity is cemented as they flee the justice of "The Army of Heroes," a force created to put down a rebellion in which they were active participants. Wanted and destitute, they make for the uncharted Telute Shelf to find new lives amid the sprawling metropolis of Ashamoil. Gwynn's ruthless knack for violence sends him to the top of the town as an enforcer for the Horn Fan Cartel and its bustling slave trade. Raule, meanwhile, heads to the bottom where she tries to erase her brutal past through ministrations to the city's forsaken. Between the opposite poles of Gwynn and Raule is a languid tale wandering through a sideshow menagerie of lovelorn mobsters, debased priests, brutal imperialists, sorcererous drug dealers, gangland warlords, and otherworldly artists that deftly examines the nature of violence, compassion, spirituality, redemption, and reality. --Jeremy Pugh