Devotion

Fans of Howard Norman, the internationally acclaimed author of The Hunting of L and The Bird Artist and a two-time National Book Award finalist, will find in his latest novel -- an intense and intriguingly unconventional love story -- all the hallmarks of this masterly writer: sparkling yet spare language, a totally compelling air of mystery spread over our workaday world, and ability to capture the metaphorical heartbeat at the center of our lives.

Like many of Howard Norman's celebrated novels, Devotion begins with an announcement of a crime: on August 19, 1985, David Kozol and his father-in-law engaged in "assault by mutual affray." Norman sets out to explore a great mystery: why seemingly quiet, contained people lose control. David and Maggie's story seemed straightforward enough; they met in a hotel lobby in London. For David, the simple fact was love at first sight. For Maggie, the attraction was similarly sudden and unprecedented in intensity. Their love affair, "A fugue state of amorous devotion," turned into a whirlwind romance and marriage. So what could possibly enrage David enough that he would strike at the father of his new bride? Why would William, a gentle man who looks after an estate -- and its flock of swans -- in Nova Scotia, be so angry at the man who has just married his beloved only child, Maggie? And what would lead Maggie to believe that David has been unfaithful to her? In his signature style -- haunting and evocative -- Norman lays bare the inventive stupidities people are capable of when wounded and confused.

At its core, Devotion is an elegantly constructed, never sentimental examination of love: romantic love (and its flip side, hate), filial love at its most tender, and, of course, love for the vast open spaces of Nova Scotia.

In the same calm, revelatory manner in which he wrote The Bird Artist, Howard Norman begins Devotion by telling of an event and then moving forward and backward from it. On August 19, 1985, the day that David Kozol and Margaret Field return to London from their honeymoon, David and his father-in-law, William Field, are involved in a fracas that leaves Field in the hospital. Not until almost the end of the book do we find out the cause.

David's life began heading toward that moment when he first laid eyes on Margaret, traveling as a publicist with an orchestral ensemble, and fell instantly in love with her. They are married in a few months. David wants to write a book about his mentor, Josef Sudek, a Czech genius, and Margaret enjoys traveling with the orchestra, checking in daily with her father, who tends an estate in Nova Scotia owned by a Jewish couple, Stefania and Isador Tecosky, and the wounded swans who live there. After William is hurt, David takes over his estate duties but Margaret refuses to see him.

Norman brings these people and their disparate realities together by showing the real devotion that binds them to each other and to the swans. William and Margaret enjoy a strong filial bond, the Tecoskys are devoted to William and Margaret, and the swans provide the perfect metaphor for all the relationships: they have had their wings clipped so they cannot fly--and they mate for life. Norman is a born naturalist with an immense love for Nova Scotia, birds, and landscape combined with a towering literary capability to bring them all together in a quirky, interesting story. Valerie Ryan