Aftermath: The Remnants of War: From Landmines to Chemical Warfare--The Devastating Effects of Modern Combat
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Product Description:
In riveting and revelatory detail, Aftermath documents the ways in which wars have transformed the terrain of the battlefield into landscapes of memory and enduring terror: in France, where millions of acres of farmland are cordoned off to all but a corps of demolition experts responsible for the undetonated bombs and mines of World War I that are now rising up in fields, gardens, and backyards; in a sixty-square-mile area outside Stalingrad that was a cauldron of destruction in 1941 and is today an endless field of bones; in the Nevada deserts, where America waged a hidden nuclear war against itself in the 1950's, the results of which are only now becoming apparent; in Vietnam, where a nation's effort to remove the physical detritus of war has created psychological and genetic devastation; in Kuwait, where terrifyingly sophisticated warfare was followed by the Sisyphean task of making an uninhabitable desert capable of sustaining life.
Aftermath excavates our century's darkest history, revealing that the destruction of the past remains deeply, inextricably embedded in the present. Amazon.com Review:
Donovan Webster, a former editor at Outside magazine, has written an eyewitness account of the impossible tasks involved with removing armaments that continue to kill after war has ceased. Between 110 and 120 million land mines are planted in the soil of more than 64 countries. The exponential numbers point to the staggering difficulties Aftermath details: each year more than 5 million new land mines are laid, and only 100,000 are cleared; a new mine costs $3, but removing one costs between $200 and $1,000. In Angola, there are more than 15 million mines, two for every citizen. Webster traces the deadly legacy from the French battlefields of World War I to Vietnam and the Persian Gulf, describing the work of sappers in a compelling story that brings to light the horrifying legacy of warfare.
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