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Product Description:
This study, first published in 1981, argues that the map of modernist poetry needs to be redrawn so as to include a central tradition that cannot properly be located within the Romantic-Symbolist tradition that dominated the early-20th century. Marjorie Perloff traces this tradition from its early "French connection" in the poetry of Rimbaud and Apollinaire as well as in Cubist, Dada and early Surrealist painting; through its various manifestations in the work of Gertrude Stein, William Carlos Williams and Ezra Pound; to such postmodern "landscapes without depth" as the French/English language constructions of Samuel Beckett, the elusive dreamscapes of John Ashbery, and the performance works of David Antin and John Cage.
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