Margaret Mead Made Me Gay: Personal Essays, Public Ideas (Series Q)

Margaret Mead Made Me Gay is the intellectual autobiography of cultural anthropologist Esther Newton, a pioneer in gay and lesbian studies. Chronicling the development of her ideas from the excitement of early feminism in the 1960s to friendly critiques of queer theory in the 1990s, this collection covers a range of topics such as why we need more precise sexual vocabularies, why there have been fewer women doing drag than men, and how academia can make itself more hospitable to queers. It brings together such classics as “The Mythic Mannish Lesbian” and “Dick(less) Tracy and the Homecoming Queen” with entirely new work such as “Theater: Gay Anti-Church.”
Newton’s provocative essays detail a queer academic career while offering a behind-the-scenes view of academic homophobia. In four sections that correspond to major periods and interests in her life—”Drag and Camp,” “Lesbian-Feminism,” “Butch,” and “Queer Anthropology”—the volume reflects her successful struggle to create a body of work that uses cultural anthropology to better understand gender oppression, early feminism, theatricality and performance, and the sexual and erotic dimensions of fieldwork. Combining personal, theoretical, and ethnographic perspectives, Margaret Mead Made Me Gay also includes photographs from Newton’s personal and professional life.
With wise and revealing discussions of the complex relations between experience and philosophy, the personal and the political, and identities and practices, Margaret Mead Made Me Gay is important for anyone interested in the birth and growth of gay and lesbian studies.

Anthropologist Esther Newton, second-wave feminist, butch from birth, and author of the groundbreaking 1972 study of drag, Mother Camp, here presents 20 engaged and engaging essays and book excerpts from the past three decades, ranging from political arguments to memoirs. Early in her academic career, Newton took a stand against the dry, "objective" writing style then being promoted in her field (and many others) as the social sciences sought to ally themselves with the hard sciences. The resulting prose is a curious but flexible hybrid well suited to Newton's related subject matters--sexual politics (including gender identity); the intersections of feminism and the academy; and her own evolving position as a butch lesbian in the academy, the lesbian and gay world, and the culture at large. Although Newton's early work is important and influential, some of the most striking pieces in this collection date from the 1990s, including Newton's critical and historical exploration of theatre as "gay anti-church"; her essay "Dick(less) Tracy and the Homecoming Queen," in which she tracks the election of the first-ever lesbian homecoming queen of Cherry Grove in the summer of 1994; and "My Butch Body," a memoir of her childhood and troubled youth. --Regina Marler